
Genro Lee Milton, Sensei is the resident
teacher and abbot of Endless Mountain Zendo. His formal Zen studies
began in 1976 with Eido Shimano Roshi of The Zen Studies Society by
whom he was ordained and trained as a Zen monk in the Rinzai Zen
tradition. Genro served as resident director of New York Zendo,
Shobo-ji in New York City (1981-1988)
and Plum Tree Zendo in
Philadelphia (1988-1998). He came to Stillwater
in 1998 to establish Endless Mountain Zendo. In a ceremony conducted by
Jiro Andy Afable Osho of Wild Goose Zendo, Genro was acknowledged as a
Dharma teacher within the Rinzai Zen school. Genro has also presented
Zen to many academic, religious and special interest groups.
A
Beginner’s Tale
Driving
to Dai Bosatsu Zendo for my first sesshin, I listened with interest to
the
conversations of those who’d done sesshin before. One was talking
about getting
past the first few days of sesshin, a time, everyone seemed to agree,
when
troublesome things come up, the things that we are generally able to
ignore but
that stay with us all the same. I wondered what, if anything, my stuff
would
be. I don’t remember exactly what I said, but it had to do with
“the stuff”:
Everyone looked at me and someone replied, “You haven’t
done sesshin have you?”
I’d
been doing zazen devotedly for about two years; the first year by
myself and by
the second year, I’d started going regularly to New York Zendo in
Manhattan. I counted my breath with the enthusiasm of
one who believed the next breath might bring a wonderful realization.
I’d sit
anywhere, anytime so long as I wasn’t too conspicuous. I’d
use my sneakers for
a zafu if I was in the park or close myself into a closet at work
during lunch.
And a little knee pain was no problem. I’d just count my
exhalations and
breathe into the pain as had been suggested. I’d discovered that
this was the
best thing to do.For
months I’d looked forward to this event, and it was finally at
hand.
This was
Dai Bosatsu’s first Holy Days Sesshin. I was very impressed by
the intensity
and liveliness of the scene there, and everyone seemed experienced and
senior.
I’d met no one as green as me. There
were about fifty participants, and after an informal supper, we cleaned
the
tenzo (kitchen) and about an hour later, we were sitting in the zendo
listening
to our teacher, Eido Shimano Roshi, exhort us to do our best. I was
inspired,
and sesshin was on.
For
those who don’t know, sesshin is a meditation intensive,
generally seven days
long. It is a very challenging event, with many hours (about 12) spent
in the
meditation hall each day. Oftentimes, students who want to do seven-day
sesshins will prepare themselves incrementally by doing daylong and
then
weekend sesshins first. But I opted to bypass the gradual style and
jumped in.
The
first full day began with a 4:30 wake-up with someone running down the
halls
clanging a bell. Soon we’d be spending a lot of time sitting
cross-legged on
our cushions. About mid-way through the first full day, I’d begun
to have a lot
of pain, and as the day progressed, it intensified and by the close of
the day
at 10 p.m., it was far beyond anything I’d experienced before. It
was
excruciating and each meditation period had become a struggle to make
it to the
end. This wasn’t what I’d expected at all and I was in
shock: Indeed, those
‘troublesome things” I’d heard about earlier were
coming up. But finally, the
first day was completed. In my dorm room, I sat on my futon, knees
throbbing,
wondering how I could possibly do one
more day of that. And there were six days left. Impossible. As I sat
there, the
walls began to swell and undulate and I felt on the verge of some
fearful
hallucination and loss of control. But I managed to go to sleep.
It
seemed that just a moment passed before the clanging of the wake-up
bell jolted
me into consciousness and the dreadful awareness of what lay ahead. And
as it
turned out, day two was like the first except that the struggle began
immediately. I must have been resolved to stay until the end, but
I’d come to
the conclusion that my Zen practice days were over as soon as I left
that
mountain. This kind of practice was nothing short of a crucible and I
wasn’t
suited for it. I’d have to find an easier way.
But
in spite of the difficulty, the practice of breath counting was steady
from the
first sitting of Holy Days to the end. This practice had become well
established for me prior to sesshin, and that was a blessing. The
kinhins
(walking between sitting periods) offered relief and a new lease on
life before
another dreadful period of struggle would begin. This is the way
sesshin went.
And the underlying feeling that my Zen studies would not continue
beyond this
event was depressing to say the least.
On
the third evening, we chanted “Mu” during kinhin. With
steadiness and great
composure, we walked in single file around and through the zendo
intoning this
single note. The atmosphere was filled with this deep, unbroken sound
and after
a few minutes, I began to hear this tone as the voice of humanity: To
me it
seemed to express all the sorrow of the world and an equally profound
longing
for the relief of love and compassion. In this, I felt, we were all
united and
all of us were truly brothers and sisters.
Absorbed
in this universal voice, tears began to flow and things became so clear
and
beautiful in that kinhin corridor. I was relieved for a short while of
my
personal problems and relieved to glimpse something greater than my
self. It
was obvious that the wonderful moments of this vision were rare and
came from
the penetrating nature of Zen practice. That
was very encouraging.
Day
four was the middle day of sesshin. When lunch came, everyone as usual
filed
out and went to the dining hall. I slipped out of line and returned to
my seat
in the zendo for a solitary sitting. When the sesshin participants
returned,
with everyone standing by their seats, I was scolded for breaking the
schedule.
In
the afternoon, the Diamond Sutra was chanted. It is a long chanting
event
requiring a lot of concentration. It can be a very strong breathing
practice as
well, so that by the time all is quiet and zazen begins, it is likely
to be a
very stable and dynamic period of meditation. Eido Roshi would
consistently
extend the length of this period to an hour or more. And so it was on
that day.
As
usual, the pain came and intensified. And as usual, there was
concentration on
breath and the steady count to the bottom of each exhalation, and then
another
breath and so on. And then, out of the blue, something unbidden
happened. One
moment, I was in the midst of a dense cloud of radiating pain,
resistance and
aversion, and the next moment, the cloud dissolved into an open sky of
pure
awareness. Sensations vanished and an atmosphere of serenity and subtle
joy
dawned and absorbed me completely. The bound and weighted sense of this
body
and mind vanished in an instant and my inner vision was unobstructed
and open.
In this mind of profound contentment, I simply looked into
boundlessness.
Doubt, irresolution, negativity, fear - All was swept away.
I
felt saved. I was confident and fearless for the remainder of sesshin
and
deeply happy. I said to myself, “I have seen the face of
Kanzeon.” I had been
bathed in transcendental compassion, a reality so subtle and quiet that
it goes
unnoticed in the noise of our ordinary perceptions. I wished only to
see more
deeply into the true nature of things, and I was set more firmly than
ever on
the way of Zen.
Thirty-four
years have passed since that Holy Days Sesshin. And here on Endless Mountain
we will soon to enter Spring Sesshin. That is a happy thought. As
always, we
are looking forward to it and to see what we will see.
For
more Messages from Genro Lee Milton click here
Endless
Mountain Zendo, 104
Hollow Road, Stillwater, PA 17878
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